There is an inherent shock value when viewing the work of Enzo Sarto. Executed in a clean and crisp manner, Sarto’s photographs highlight a deceptive innocence that demands attention. Although stating that his work “is about passions, prejudices, and fear,” a specific clarification, such as why a little girl wears a bandana around her face like a vandal and holds a gun as if she just committed murder, remains elusive. Politically and socially charged images infiltrate much of Sarto’s work, producing a dialogue that begs for an explanation.